A video of Río's Carnaval in the "Sambódromo" - take it for the visuals, not the dodgy historical content:
A "pagode": neighborhood samba
Samba for export: "Embassadress of Samba" Carmen Miranda:
MUS/AFR/LAS 136 Spring 2011 Bowdoin College Professor Michael Birenbaum Quintero T/Th 11:30-1:00 Gibson 101
Showing posts with label brazil. Show all posts
Showing posts with label brazil. Show all posts
Tuesday, May 3, 2011
Thursday, April 28, 2011
Funk Carioca
US DJ Diplo on funk in the favelas of Rio
Favelas
Preparing for the funk dance (from the documentary "Favela on Blast")
1980s Miami Bass
Funk
Funk
Afro-Reggae (trailer from the documentary "Favela Rising")
A little more from "Favela Rising"
"Music of Resistance" documentary by Al Jazeera English, hosted by a member of the UK's
Asian Dub Foundation (whose name I forget)
Part II of the same
Last but not least, AfroReggae's websites:
In Portuguese: http://www.afroreggae.org/wp/
In English (from the UK-based, AfroReggae-associated organization Favela to the World): http://www.favelatotheworld.org/
Favela on Blast intro (USA version with Diplo's voice) from Leandro HBL on Vimeo.
Favelas
Favelas overview with Feira de Acari song_(Favela on Blast) from Leandro HBL on Vimeo.
Preparing for the funk dance (from the documentary "Favela on Blast")
Baile Funk dos Prazeres_(Favela on Blast) from Leandro HBL on Vimeo.
1980s Miami Bass
Funk
Favela on Blast (Dj Marlboro)_Study from Leandro HBL on Vimeo.
Funk
Live montage with MPC by Dj Sany Pitbull_(Favela on Blast) from Leandro HBL on Vimeo.
Afro-Reggae (trailer from the documentary "Favela Rising")
A little more from "Favela Rising"
"Music of Resistance" documentary by Al Jazeera English, hosted by a member of the UK's
Asian Dub Foundation (whose name I forget)
Part II of the same
Last but not least, AfroReggae's websites:
In Portuguese: http://www.afroreggae.org/wp/
In English (from the UK-based, AfroReggae-associated organization Favela to the World): http://www.favelatotheworld.org/
Thursday, April 7, 2011
Trinidad - Carnival
Hot Hot Hot (Arrow) - 1980
Trinidad Carnival 2009
Bacchanal (Destra García)
Carnival Costume Competition
Jamaica - Women
Dancehall Queen (1997) - Full Movie
Romantic Call (Patra w/ YoYo) - Randomly featuring Tupac
Man is the Least (Lady Saw)
I've Got Your Man (Lady Saw)
Homophobic Jamaican Dancehall
Chi ChiMan (TOK)
Dem Bow (Shabba Ranks)
Wayne Marshall of wayne&wax on the tight pants phenom in Jamaica here
Carnivals
Tambu Bamboo - Trinidad
Rara (Haiti)
Carnaval (Rio, Brazil)
Carnaval (Salvador, Brazil - Ilê Ayé group)
Samba-Reggae - O canto da cidade (Daniela Mercury)
Hot Hot Hot (Arrow) - 1980
Trinidad Carnival 2009
Bacchanal (Destra García)
Carnival Costume Competition
Jamaica - Women
Dancehall Queen (1997) - Full Movie
Romantic Call (Patra w/ YoYo) - Randomly featuring Tupac
Man is the Least (Lady Saw)
I've Got Your Man (Lady Saw)
Homophobic Jamaican Dancehall
Chi ChiMan (TOK)
Dem Bow (Shabba Ranks)
Wayne Marshall of wayne&wax on the tight pants phenom in Jamaica here
Carnivals
Tambu Bamboo - Trinidad
Rara (Haiti)
Carnaval (Rio, Brazil)
Carnaval (Salvador, Brazil - Ilê Ayé group)
Samba-Reggae - O canto da cidade (Daniela Mercury)
Thursday, March 3, 2011
Samba from Brazil
Characteristics of samba:
multiple drums,
tambourine (listen for the jingles)
bass drum
cavaquinho (stringed instrument)
bass drum
Incidentally, the song refers to Brazil's current drug wars: "He has coca in the fridge."
Monday, February 14, 2011
Thursday, February 10, 2011
February 15 Assignment
The reading for this class is:
Röhrig Assunçao, Matthias. Capoeira: The History of an Afro-Brazilian Martial Art. (London and New York: Routledge, 2006), 32-66
The entire book is on Blackboard - please just read pp. 32-66 (I saw from your comments that some foyou suffered through my whole chapter instead of reading just the specified pages...)
The question:
How does the specific case of the capoeira dance/fight/game/music show the kinds of syncretism between African cultural groups and/or between African descendants and others that we've been talking about in the class? As a bonus question (which you can get to if you have the space in your response), how does capoeira exemplify the kinds of ethics and sociality that we talked about today?
You can see (and hear) that last question all over capoeira, as in the video below, a capoeira game between Mestre Cobra Mansa (without bandanna) and Mestre Jogo de Dentro (bandanna):
Röhrig Assunçao, Matthias. Capoeira: The History of an Afro-Brazilian Martial Art. (London and New York: Routledge, 2006), 32-66
The entire book is on Blackboard - please just read pp. 32-66 (I saw from your comments that some foyou suffered through my whole chapter instead of reading just the specified pages...)
The question:
How does the specific case of the capoeira dance/fight/game/music show the kinds of syncretism between African cultural groups and/or between African descendants and others that we've been talking about in the class? As a bonus question (which you can get to if you have the space in your response), how does capoeira exemplify the kinds of ethics and sociality that we talked about today?
You can see (and hear) that last question all over capoeira, as in the video below, a capoeira game between Mestre Cobra Mansa (without bandanna) and Mestre Jogo de Dentro (bandanna):
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